And I think this film serves the purpose to liberate from certain conventions that I’m a little bit tired of or not interested in anymore.” But I like to explore the possibilities of language.

“The essence of cinema is language, and nobody talks about that anymore. I don’t have tolerance anymore,” he said. Iñárritu said that he also saw the film as an opportunity to challenge established cinematic conventions that he has grown tired of seeing. And it is this battle that the film is about.” “Once you leave your country for 20 years, there’s no way back. “I gave everything in terms of soul and heart,” he said. Later during the keynote, Iñárritu said he has “nothing more to give” after completing the almost 3-hour film. The director hasn’t shot a film in his home country since 2000’s Amores Perros, starring Gael García Bernal. The film marks Iñárritu’s return to Mexico. He seeks answers in his past to reconcile who he is in the present. It chronicles the story of a renowned Mexican journalist and documentary filmmaker who returns home and works through an existential crisis as he grapples with his identity, familial relationships, the folly of his memories as well as the past of his country. Written by Iñárritu and Nicolás Giacobone, the flick is billed as a nostalgic comedy set against an epic personal journey. The film debuted earlier this year in Venice. Iñárritu’s latest Bardo follows a similar self-reflective path. “I think that helped me to suddenly get out of my own mind and see myself, laugh about myself and be conscious about the voice inside of me,” he said. However, he said the film was inspired by a period of time he spent at a meditation retreat in 2012. Iñárritu said it took him two years to find funding for the film, and he was forced to finish production in 19 days due to financial constraints.

Later during the lengthy keynote, Iñárritu gave some specific insights into the production of his films, including the multi-academy award-winning Birdman or (The Unexpected Virtue of Ignorance), starring Michael Keaton and Emma Stone. I think sound can really be an incredible part of the story and it can add things.” Even when films were silent, there were sometimes small effects, and even silence is sound. Audio is maybe 60% of the experience, I think. “I love much more music than films, and I think I see a film much more when I hear it,” he said. Moving onto the importance of sound in artmaking, Iñárritu - a former radio DJ - added that he believes he has a “better ear than eye,” and he often uses music to move through a film’s narrative. 'Glass Onion: A Knives Out Mystery' Closes London Film Festival With Energetic Premiere

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